Very pleased to receive the letter from the R.A. telling me that I have one of my square canvases accepted for the Summer Show. I work on fifty square canvases painting over and over from the sub conscious and had decided to just take two at random from the studio wall after my original choice showed signs of problems with the surface of the paint. As the title is always Figure painting 1,2 etc. I really do not know which one is included in the show.  I know is from one of the blue series. I look forward to going to London for the ‘vanishing day ‘ and Artists service in St James Church , Piccadilly on the 28th of May

All copy now delivered to my publisher, Philip Gray at Fine Leaf Editions. My new book Kilpeck and the Romanesque in Herefordshire,  will be available in time for h’Art week in week in September.  I shall be in residence for the week (8th-16th September) at Sue’s Lim’s  Blue Ginger gallery in Cradley (www.blue-ginger.com ) and hope to see anyone interested in my work then.

Visited Kilpeck Church again yesterday. Time to focus my mind on my book about the Romanesque carvings, due to be delivered to the publishers in six weeks time.

I have found myself making a new series of paintings about the countryside around May Hill ….for h’Art week 10-18th September, when I shall be opening my studio in Ledbury.  More muted colours this year, -blues and purples.

The final book in this project and the title of Veroniques’ book is Alan Titchmarsh’s Avant–gardening , A guide to one-upmanship in the garden. I was not inspired by the book or its title and decided to take the subject of gardening  and try to create an image of my garden. The four double pages of my section were completely painted over in gouache and acrylic paint to reflect the colours from my garden. Each page was allowed to dry and eventually I proceeded to tear and collage, making just one single double page. I then worked back into the image with pencil. The result is a rather abstract impression of my garden in high summer…rather aesthetically pleasing to my eye.

I am so fortunate to have my studio  in the garden of my home in Ledbury. The importance of space to work cannot be over emphasised for any artist – a place to think and develop ideas as well as making finished pieces. Although Life and Community feeds our art, we usually need a place that is ours alone as a retreat, as well as a workshop.  After spending time in the studio making work, we may see the world and situations differently…….a shift of focus that comes from expressing what we feel.

For many years, my paintings, collages and prints were visual memories, relating to the shifting moods and atmosphere experienced when visiting ancient buildings and sacred places in the landscape that are somehow set apart.    The paintings were made from memory, reflecting the season in which they were painted.

More recently my work has focused sharply on ideas around memory -  how memories are stored, linked, modified and organised.

Stained Glass Panel completed at workshop with Nicky Hopwood. The design was inspired by Kilpeck Church and will be included in my book about the Romanesque Sculpture in Herefordshire. Hopefully the book will be published later this year.

Molly Rozier’s Book The Illustrated Book of Insects by Derek Whitely, illustrated by Joyce Bee.

The coloured plates were well illustrated and I was struck by the way that creatures are  necessarily depicted as separate specimens in this kind of book. Therefore, in  my section I added no paint or  other material, but cut into the images trying to interweave and make connections, in order to illustrate the interdependence of these creatures.

I have just received this photograph of a portrait that was painted  by me last year, whilst finishing  B.A.  Fine Art top-up at Hereford. I am pleased to know that this painting now hangs at Gwyn’s home. The  time  spent at Hereford during  2010 was a very important time in my development as an artist and Gwyn’s  calm presence in the studio helped to make a good working  atmosphere..